[A while after she returns from the cabin, Natalie is looking around for Shinobu like she said she would. When she finds her outdoors looking around for something, she approaches, tilting her head.]
It seemed like a normal cabin at first. There was a table with chairs, a bathroom, a kitchen. All things you'd expect, but on the table... there were drawings that...
[ Well, Shinobu pulls out a sheet of paper. ]
If you want to look at it, please don't look at it for too long. It made each of us dizzy and faint.
[ And if Natalie does look at the drawing, if you can call it that, she, too, will become dizzy the longer she looks at it. ]
[She does, in fact, look long enough that she starts to feel a little unsteady, handing it back to Shinobu as she notices. After shaking her head to dispel that feeling:]
Good and bad... What? Were there any clues about what that might mean?
[She frowns, thinking that over for a few moments.]
...Not really, but - if there's a set A, it kind of implies that there's more than one set, doesn't it? You don't have to assign a letter to a group if there's only one group. Did it say set B anywhere that you could see?
If we're taking the t-shirts we got on the bus into account, I would guess so, yeah. Especially if it was telling you what you were looking at on the screens.
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w1, thursday.
Looking for something?
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Yes, herbs for burns and muscle aches. The camp is an odd place, don't you think?
[ But she knows why Natalie is here. ]
You wanted to hear about what I found, isn't that so?
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[She nods, though.]
Uh huh. Probably easier to start at the beginning, if that works for you.
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[ Here, she hesitates and a little uncertainty creeps into her tone. ]
I can't say for sure what exactly the purpose was. It was very strange.
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What was inside?
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[ Well, Shinobu pulls out a sheet of paper. ]
If you want to look at it, please don't look at it for too long. It made each of us dizzy and faint.
[ And if Natalie does look at the drawing, if you can call it that, she, too, will become dizzy the longer she looks at it. ]
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Good and bad... What? Were there any clues about what that might mean?
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[ She sounds a little perplexed but also like she's not sure if she's describing that correctly. ]
It was worrying.
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[Wild.]
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[ Because Shinobu has no fucking clue. HELP. ]
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[Wow, she hates it.]
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[ Her brows furrow. ]
It doesn't sound like we're being guarded by any measure, but do the terms "set A" and "live" mean anything to you?
[ Of course, she says live like liver and not like alive. ]
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...Not really, but - if there's a set A, it kind of implies that there's more than one set, doesn't it? You don't have to assign a letter to a group if there's only one group. Did it say set B anywhere that you could see?
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There wasn't, but if we are set A, then where the dead are could be set B.
[ That's her theory, if there is to be something else monitored. ]
There was something on the bottom of a screen that said, C, M, P, N, T, G, N.
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[After a moment:]
...Camp Not Again?
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Shinobu tilts her head. ]
Is that... supposed to be us?
[ She frowns. ]
There were fifteen screens. Most of them showed the outsides of our cabins, including the ones for the directors.
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[ Haha. ]
Kurusu-kun said something about music? There was a lot of music that was playing.
[ She makes a face. A face of distaste and like remembering the music might give her a headache. ]